威廉 莎士比亚（1564—1616）
William Shakespeare(1564～1616）
I. Brief Introduction(莎士比亚简介)
Of all the famous English writers, probably the best known is William Shakespeare.
He was born in Stratford-upon-Avon in 1564 on April the 23rd. His father was an important man in town so Shakespeare had a good upbringing. Shakespeare probably went to school (although no records survive to prove this) but not university. He got married when he was 18 to Anne Hathaway and the couple had 3 children.
Shakespeare wrote 37/38 plays and 154 sonnets (a sonnet is a kind of poem). He began working in his home town of Stratford but by 1592 was writing in London. He became rich enough to buy a house in the capital and one in Stratford.
He wrote sad stories called tragedies, like Romeo and Juliet, funny stories or comedies, romantic stories and stories about historical figures such as Julius Caesar.
Shakespeare died on his birthday in 1616, almost 400 years ago. But why is his work still popular today?
His work looked at common human themes, such as betrayal, murder, lust, power, ambition and love. These themes are as much a part of human
nature today as they were all those years ago and are the themes we see in modern soap operas and Hollywood films. Even though his theatre, The Globe, burned down in 1613 it was rebuilt in London in 1997 and you can still see his plays performed there today.
Shakespeare's influence on the English language can still be felt today. We talk about
Shakespeare's work has been translated into every major language in the world. And perhaps we'll still be as fascinated by his work 400 years from now as we've been for the last 400.
Shakespeare is a great master of the English language. He used about 16,000 words. Many of his new coinages and turns of expressions have becomes everyday usage in English life. Shakespeare and the Authorized Version of the English Bible are the two great treasuries of the English language.
II. Shakespeare's Complete Works(莎士比亚的作品)
1. PLAYS
All's Well That Ends Well 皆大欢喜
Antony and Cleopatra 安东尼与克莉奥佩屈拉
As You Like It 终成眷属（如愿）
Comedy of Errors 错中错（错误的喜剧）
Coriolanus 科利奥兰纳斯
Cymbeline 辛白林
Hamlet 哈姆雷特（王子复仇记）
Henry IV, Part I；Part II 亨利四世
Henry V 亨利五世
Henry VI, Part I；Part II；Part III亨利六世
Henry VIII 亨利八世
Julius Caesar 裘力斯 凯撒
King John 约翰王
King Lear 李尔王
Love's Labour's Lost 爱的徒劳（空爱一场）
Macbeth 麦克白
Measure for Measure 一报还一报（恶有恶报）
Merchant of Venice 威尼斯商人
Merry Wives of Windsor 温莎的风流娘儿们
Midsummer Night's Dream 仲夏夜之梦
Much Ado about Nothing 无事生非（无事自扰）
Othello 奥赛罗
Pericles 泰尔亲王佩力克尔斯
Richard II 里查二世
Richard III 里查三世
Romeo and Juliet 罗密欧与朱丽叶
Taming of the Shrew 驯悍记（驯悍妇）
Tempest 暴风雨
Timon of Athens 雅典的泰门
Titus Andronicus 泰特斯 安特洛尼克斯
Troilus and Cressida 脱爱勒斯与克莱西达
Twelfth Night 第十二夜
Two Gentlemen of Verona 维洛那二绅士
Winter's Tale 冬天的故事
2. SONNETS
Sonnets 1-17
Sonnets 18-126
Sonnets 127-154
3. POEMS
Lover's Complaint 爱人的怨诉（情人怨；情女怨）
Passionate Pilgrim 热情的朝圣者
Phoenix and the Turtle 凤凰和斑鸠
Rape of Lucrece 鲁克丽丝失贞记
Venus and Adonis 维纳斯和阿多尼斯
III. Shakespeare and the Great Figures in Shakespeare's Works(莎士比亚 及其笔下的人物)
1. Shakespeare is considered to be a pseudonym of many writers by researchers for the excuse that a man who lived only 52 years (1564-1616) and who created 37 plays and 154 sonnets in only 22years.
2. Portia is a woman of the Renaissance------beautiful, prudent, cultured, courteous, and capable of rising to an emergency. She is one of Shakespeare’s ideal women.
3. Shylock, the Jewish usurer, symbolizes a person who is cruel and mean.
A miser.
4. Hamlet is a humanist, a man who loves good and hates evil, an intellectual genius, a man of melancholy, a man in tremendous hesitation. But Hamlet is neither a frail and weak-minded youth nor a thought-sick dreamer.
5. Romeo and Juliet are images of true love, symbols of faithfulness.
6. Falstaff in “Henry IV” is one of the most brilliant creations in Shakespeare’s plays. By origin he is a feudal knight. But now he has lost his estates and become an adventurer and parasite. He is fat, old, ugly, gross, and guilty of many sins. He is also selfish, treacherous and cynical. Tradition has it that Queen Elizabeth was so amused by Sir John Falstaff
in “Henry IV” that she ordered Shakespeare another play about him, and so Shakespeare wrote his comedy “The Merry Wives of Windsor”
IV. Something More about Shakespeare(莎士比亚杂谈)
1．莎学:
就像中国的《红楼梦》有红学一样，莎士比亚有莎学。因为我们怎么理解莎士比亚的作品都可以找到一些线索理由，所以说是“说不尽的莎士比亚”——平均每年都有500部关于莎士比亚的文学评论著作出版。
2．莎翁:
莎学对比红学，莎士比亚被称为莎翁,用
3．莎药:读莎翁剧作可治痴呆。
4．莎“特”：有人说莎士比亚是特务：写作不可不用一个笔名,这个笔名就是“莎士比亚”(William Shakespeare)。而真的莎士比亚,并非一个人的真姓名,至多是一个被假借的名伶的名字。此后莎士比亚以许多最有名的喜剧、悲剧,和十四行诗名世,但是他本人却简直没有传记可言。
5．莎“同”：1609年莎士比亚发表了他的十四行诗，其中很多是写给一个神秘的女人（“Dark Lady”）和一个男人（“Fair Lord”）的，因此有人相信莎士比亚可能是一位同性恋者。
6．马克思称莎士比亚为“人类最伟大的天才之一”。
7． 恩格斯盛赞其作品的现实主义精神与情节的生动性、丰富性。
8． 莎士比亚与世界图书与版权日
4月23日，对于世界文学领域是一个具有象征性的日子，因为塞万提斯、威廉·莎士比亚和加尔西拉索·德·拉·维加都在1616年的这一天去世。此外，4月23日也是另一些著名作家出生或去世的日子，如莫里斯·德律恩、拉克斯内斯、佛拉吉米尔·纳博科夫、约瑟·普拉和曼努埃尔·梅希亚·巴列霍。中国着名剧作家汤显祖也于同一年去世 。很自然地，1995年在巴黎召开的联合国教科文组织大会选择这一天，向全世界的书籍和作者表示敬意；鼓励每个人，尤其是年轻人，去发现阅读的快乐，并再度对那些为促进人类的社会和文化进步做出无以替代的贡献的人表示尊敬。1995年11月，联合国教科文组织第二十八次大会通过决议，宣布每年4月23日为世界图书和版权日。
V. Appreciation
1. Hamlet: To be, or not to be - that is the question
活着还是死去，这是一个问题。
生存还是毁灭？这是个问题。
生存还是毁灭，这是一个值得考虑的问题。
生存还是死亡，这是个问题！
活下去还是不活，这是问题。（卞之琳）
(朱生豪、梁实秋、曹未风etc.)
Hamlet's endurance has reached the breaking point. His father has been
murdered. His mother, who he loves dearly, has married her dead husband's brother. Moreover his sweetheart, Ophelia, has been acting very strangely. He senses that she does not love him any more. Now, he's all alone. The world that he knew is shattered. His black mood of despair is deepened by his inability to act - to do something to change the situation. Now he ponders whether to continue living - or to take his own life.
To be, or not to be - that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them.
生存还是毁灭？这是个问题。
究竟哪样更高贵，去忍受那狂暴的命运无情的摧残
还是挺身去反抗那无边的烦恼，
把它扫一个干净。
2. Shakespeare’s words(莎士比亚名言)
Better a witty fool than a foolish wit.
宁为聪明的愚夫，不作愚蠢的才子。
The course of true love never did run smooth.
真诚的爱情之路永不会是平坦的。
Do not , for one repulse , give up the purpose that you resolved to effect .
不要只因一次失败，就放弃你原来决心想达到的目的。
A light heart lives long .豁达者长寿。
In delay there lies no plenty , Then come kiss me , sweet and twenty , Youth's a stuff that will not endure .迁延蹉跎,来日无多,二十丽株,请来吻我,衰草枯杨,青春易过。
The time of life is short ; to spend that shortness basely, it would be too long .人生苦短，若虚度年华，则短暂的人生就太长了。
Don't gild the lily. 不要给百合花镀金/画蛇添足。
The empty vessels make the greatest sound . 满瓶不响，半瓶咣当。
3. Shakespeare’s lines(莎士比亚经典台词)：
1). 脆弱啊，你的名字是女人！
2). To be or not to be，that's a question。（生存还是死亡，那是个问题。）
3). 放弃时间的人，时间也会放弃他。
4). 成功的骗子，不必再以说谎为生，因为被骗的人已经成为他的拥护者，我再说什么也是枉然。
5). 人们可支配自己的命运，若我们受制於人，那错不在命运，而在我们自己。
6). 美满的爱情，使斗士紧绷的心情松弛下来。
7). 太完美的爱情，伤心又伤身，身为江湖儿女，没那个闲工夫。
8). 嫉妒的手足是谎言！
9). 上帝是公平的，掌握命运的人永远站在天平的两端，被命运掌握的人仅仅只明白上帝赐给他命运！
10). 一个骄傲的人，结果总是在骄傲里毁灭了自己。
11). 爱是一种甜蜜的痛苦，真诚的爱情永不是一条平坦的道路的。
12). 因为她生的美丽，所以被男人追求；因为她是女人，所以被男人俘获。
13). 如果女性因为感情而嫉妒起来那是很可怕的。
14). 不要只因一次挫败，就放弃你原来决心想达到的目的。
15). 女人不具备笑傲情场的条件。
16). 我承认天底下再没有比爱情的责罚更痛苦的，也没有比服侍它更快乐的事了。
17). 新的火焰可以把旧的火焰扑灭，大的苦痛可以使小的苦痛减轻。
18). 聪明人变成了痴愚，是一条最容易上钩的游鱼；因为他凭恃才高学广，看不见自己的狂妄。
19). 愚人的蠢事算不得稀奇，聪明人的蠢事才叫人笑痛肚皮；因为他用全副的本领，证明他自己愚笨。
20). 外观往往和事物的本身完全不符，世人都容易为表面的装饰所欺骗。
21). 黑暗无论怎样悠长，白昼总会到来。
22). 勤劳一天，可得一日安眠；勤奋一生，可永远长眠。
23). 女人是被爱的，不是被了解的。
24). 金子啊，,你是多么神奇。你可以使老的变成少的，丑的变成美的，黑的变成白的，错的变成对的……
25). 目眩时更要旋转，自己痛不欲生的悲伤，以别人的悲伤，就能够
治愈！
26). 爱情就像是生长在悬崖上的一朵花，想要摘就必需要有勇气。
27). 全世界是一个巨大的舞台，所有红尘男女均只是演员罢了。上场下场各有其时。每个人一生都扮演着许多角色，从出生到死亡有七种阶段。
28). 在自己还得不到幸福的时候，不要靠橱窗太近，盯着幸福出神
4. Shakespeare Quotes: 100 Famous Bardisms
1. To be or not to be,--that is the question...
2. O Romeo, Romeo! wherefore art thou Romeo?
3. Et tu, Brute?
4. Tomorrow, and tomorrow, and tomorrow...
5. Out, damned spot!...
6. All the world's a stage...
7. Oh, I am fortune's fool!
8. Then must you speak...Of One that lov'd not wisely
9. Not that I lov'd Caesar less
10. Good night, good night! Parting is such sweet sorrow
11. A horse! a horse!
12. What a piece of work is man!
13. Friends, Romans, countrymen...
14. So wise so young, they say do never live long
15. Give me my robe, put on my crown
16. The fault, dear Brutus, is not in our stars
17. I go, and it is done; the bell invites me
18. But, soft! What light through yonder window breaks?
19. We are such stuff... As dreams are made on
20. My words fly up, my thoughts remain below
21. There are more things in heaven and earth, Horatio
22. What's in a name? That which we call a rose
23. The quality of mercy is not strain'd
24. Beware the ides of March
25. Now is the winter of our discontent
26. A plague o' both your houses!
27. I am dying, Egypt, dying
28. Frailty, thy name is woman!
29. Why, then the world's mine oyster
30. If music be the food of love, play on
31. Come, let's away to prison; We two alone will sing
32. Journeys end in lovers meeting
33. The lady doth protest too much, methinks
34. O villain, villain, smiling, damned villain!
35. Yond Cassius has a lean and hungry look
36. Get thee to a nunn'ry
37. All that glisters is not gold
38. To sleep, perchance to dream
39. Nothing can come of nothing
40. The play's the thing
41. This was the noblest Roman of them all
42. Though this be madness, yet there is method in 't
43. I am constant as the northern star
44. How now? A rat? Dead, for a ducat, dead!
45. Was ever woman in this humour woo'd?
46. He hath given his empire
47. By the pricking of my thumbs
48. I hold the world but as the world, Gratiano
49. I follow him to serve my turn upon him
50. Alas, poor Yorick! I knew him, Horatio
51. O happy dagger!
52. Eye of newt, and toe of frog
53. O, beware, my lord of jealousy
54. Something is rotten in the state of Denmark
55. My only love sprung from my only hate!
56. The barge she sat in, like a burnish'd throne
57. Cowards die many times before their deaths
58. Is this a dagger which I see before me
59. I have a kind of alacrity in sinking
60. When beggars die there are no comets seen
61. How poor are they that have not patience!
62. That he's mad, 'tis true, 'tis true 'tis pity
63. Love looks not with the eyes but with the mind
64. The man that hath no music in himself
65. Think you I am no stronger than my sex
66. Be not afraid of greatness
67. What, my dear Lady Disdain! are you yet living?
68. Off with his head!
69. Why, that's my dainty Ariel! I shall miss thee
70. And thus I clothe my naked villany
71. When shall we three meet again
72. This was the unkindest cut of all
73. O coward conscience, how dost thou afflict me!
74. Blow, blow, thou winter wind
75. I come to wive it wealthily in Padua
76. Asses are made to bear, and so are you
77. He's mad that trusts in the tameness of a wolf
78. All the infections that the sun sucks up
79. Let every eye negotiate for itself
80. Some Cupid kills with arrows, some with traps
81. O, what men dare do!
82. Done to death by slanderous tongue
83. Thou art a votary to fond desire
84. I have no other but a woman's reason
85. O, how this spring of love resembleth
86. That man that hath a tongue, I say is no man
87. Is whispering nothing?
88. Here's ado to lock up honesty
89. What's gone and what's past help
90. When you do dance, I wish you
91. Our remedies oft in ourselves do lie
92. I will buy with you, sell with you, talk with you
93. I am a Jew. Hath not a Jew eyes?
94. O true apothecary!
95. This thing of darkness
96. The course of true love never did run smooth
97. We should be woo'd and were not made to woo
98. Lord, what fools these mortals be!
99. Now go we in content
100. We that are true lovers run into
101. Oft expectation fails, and most oft there 102. Why then tonight let us assay our plot
威廉 莎士比亚（1564—1616）
William Shakespeare(1564～1616）
I. Brief Introduction(莎士比亚简介)
Of all the famous English writers, probably the best known is William Shakespeare.
He was born in Stratford-upon-Avon in 1564 on April the 23rd. His father was an important man in town so Shakespeare had a good upbringing. Shakespeare probably went to school (although no records survive to prove this) but not university. He got married when he was 18 to Anne Hathaway and the couple had 3 children.
Shakespeare wrote 37/38 plays and 154 sonnets (a sonnet is a kind of poem). He began working in his home town of Stratford but by 1592 was writing in London. He became rich enough to buy a house in the capital and one in Stratford.
He wrote sad stories called tragedies, like Romeo and Juliet, funny stories or comedies, romantic stories and stories about historical figures such as Julius Caesar.
Shakespeare died on his birthday in 1616, almost 400 years ago. But why is his work still popular today?
His work looked at common human themes, such as betrayal, murder, lust, power, ambition and love. These themes are as much a part of human
nature today as they were all those years ago and are the themes we see in modern soap operas and Hollywood films. Even though his theatre, The Globe, burned down in 1613 it was rebuilt in London in 1997 and you can still see his plays performed there today.
Shakespeare's influence on the English language can still be felt today. We talk about
Shakespeare's work has been translated into every major language in the world. And perhaps we'll still be as fascinated by his work 400 years from now as we've been for the last 400.
Shakespeare is a great master of the English language. He used about 16,000 words. Many of his new coinages and turns of expressions have becomes everyday usage in English life. Shakespeare and the Authorized Version of the English Bible are the two great treasuries of the English language.
II. Shakespeare's Complete Works(莎士比亚的作品)
1. PLAYS
All's Well That Ends Well 皆大欢喜
Antony and Cleopatra 安东尼与克莉奥佩屈拉
As You Like It 终成眷属（如愿）
Comedy of Errors 错中错（错误的喜剧）
Coriolanus 科利奥兰纳斯
Cymbeline 辛白林
Hamlet 哈姆雷特（王子复仇记）
Henry IV, Part I；Part II 亨利四世
Henry V 亨利五世
Henry VI, Part I；Part II；Part III亨利六世
Henry VIII 亨利八世
Julius Caesar 裘力斯 凯撒
King John 约翰王
King Lear 李尔王
Love's Labour's Lost 爱的徒劳（空爱一场）
Macbeth 麦克白
Measure for Measure 一报还一报（恶有恶报）
Merchant of Venice 威尼斯商人
Merry Wives of Windsor 温莎的风流娘儿们
Midsummer Night's Dream 仲夏夜之梦
Much Ado about Nothing 无事生非（无事自扰）
Othello 奥赛罗
Pericles 泰尔亲王佩力克尔斯
Richard II 里查二世
Richard III 里查三世
Romeo and Juliet 罗密欧与朱丽叶
Taming of the Shrew 驯悍记（驯悍妇）
Tempest 暴风雨
Timon of Athens 雅典的泰门
Titus Andronicus 泰特斯 安特洛尼克斯
Troilus and Cressida 脱爱勒斯与克莱西达
Twelfth Night 第十二夜
Two Gentlemen of Verona 维洛那二绅士
Winter's Tale 冬天的故事
2. SONNETS
Sonnets 1-17
Sonnets 18-126
Sonnets 127-154
3. POEMS
Lover's Complaint 爱人的怨诉（情人怨；情女怨）
Passionate Pilgrim 热情的朝圣者
Phoenix and the Turtle 凤凰和斑鸠
Rape of Lucrece 鲁克丽丝失贞记
Venus and Adonis 维纳斯和阿多尼斯
III. Shakespeare and the Great Figures in Shakespeare's Works(莎士比亚 及其笔下的人物)
1. Shakespeare is considered to be a pseudonym of many writers by researchers for the excuse that a man who lived only 52 years (1564-1616) and who created 37 plays and 154 sonnets in only 22years.
2. Portia is a woman of the Renaissance------beautiful, prudent, cultured, courteous, and capable of rising to an emergency. She is one of Shakespeare’s ideal women.
3. Shylock, the Jewish usurer, symbolizes a person who is cruel and mean.
A miser.
4. Hamlet is a humanist, a man who loves good and hates evil, an intellectual genius, a man of melancholy, a man in tremendous hesitation. But Hamlet is neither a frail and weak-minded youth nor a thought-sick dreamer.
5. Romeo and Juliet are images of true love, symbols of faithfulness.
6. Falstaff in “Henry IV” is one of the most brilliant creations in Shakespeare’s plays. By origin he is a feudal knight. But now he has lost his estates and become an adventurer and parasite. He is fat, old, ugly, gross, and guilty of many sins. He is also selfish, treacherous and cynical. Tradition has it that Queen Elizabeth was so amused by Sir John Falstaff
in “Henry IV” that she ordered Shakespeare another play about him, and so Shakespeare wrote his comedy “The Merry Wives of Windsor”
IV. Something More about Shakespeare(莎士比亚杂谈)
1．莎学:
就像中国的《红楼梦》有红学一样，莎士比亚有莎学。因为我们怎么理解莎士比亚的作品都可以找到一些线索理由，所以说是“说不尽的莎士比亚”——平均每年都有500部关于莎士比亚的文学评论著作出版。
2．莎翁:
莎学对比红学，莎士比亚被称为莎翁,用
3．莎药:读莎翁剧作可治痴呆。
4．莎“特”：有人说莎士比亚是特务：写作不可不用一个笔名,这个笔名就是“莎士比亚”(William Shakespeare)。而真的莎士比亚,并非一个人的真姓名,至多是一个被假借的名伶的名字。此后莎士比亚以许多最有名的喜剧、悲剧,和十四行诗名世,但是他本人却简直没有传记可言。
5．莎“同”：1609年莎士比亚发表了他的十四行诗，其中很多是写给一个神秘的女人（“Dark Lady”）和一个男人（“Fair Lord”）的，因此有人相信莎士比亚可能是一位同性恋者。
6．马克思称莎士比亚为“人类最伟大的天才之一”。
7． 恩格斯盛赞其作品的现实主义精神与情节的生动性、丰富性。
8． 莎士比亚与世界图书与版权日
4月23日，对于世界文学领域是一个具有象征性的日子，因为塞万提斯、威廉·莎士比亚和加尔西拉索·德·拉·维加都在1616年的这一天去世。此外，4月23日也是另一些著名作家出生或去世的日子，如莫里斯·德律恩、拉克斯内斯、佛拉吉米尔·纳博科夫、约瑟·普拉和曼努埃尔·梅希亚·巴列霍。中国着名剧作家汤显祖也于同一年去世 。很自然地，1995年在巴黎召开的联合国教科文组织大会选择这一天，向全世界的书籍和作者表示敬意；鼓励每个人，尤其是年轻人，去发现阅读的快乐，并再度对那些为促进人类的社会和文化进步做出无以替代的贡献的人表示尊敬。1995年11月，联合国教科文组织第二十八次大会通过决议，宣布每年4月23日为世界图书和版权日。
V. Appreciation
1. Hamlet: To be, or not to be - that is the question
活着还是死去，这是一个问题。
生存还是毁灭？这是个问题。
生存还是毁灭，这是一个值得考虑的问题。
生存还是死亡，这是个问题！
活下去还是不活，这是问题。（卞之琳）
(朱生豪、梁实秋、曹未风etc.)
Hamlet's endurance has reached the breaking point. His father has been
murdered. His mother, who he loves dearly, has married her dead husband's brother. Moreover his sweetheart, Ophelia, has been acting very strangely. He senses that she does not love him any more. Now, he's all alone. The world that he knew is shattered. His black mood of despair is deepened by his inability to act - to do something to change the situation. Now he ponders whether to continue living - or to take his own life.
To be, or not to be - that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them.
生存还是毁灭？这是个问题。
究竟哪样更高贵，去忍受那狂暴的命运无情的摧残
还是挺身去反抗那无边的烦恼，
把它扫一个干净。
2. Shakespeare’s words(莎士比亚名言)
Better a witty fool than a foolish wit.
宁为聪明的愚夫，不作愚蠢的才子。
The course of true love never did run smooth.
真诚的爱情之路永不会是平坦的。
Do not , for one repulse , give up the purpose that you resolved to effect .
不要只因一次失败，就放弃你原来决心想达到的目的。
A light heart lives long .豁达者长寿。
In delay there lies no plenty , Then come kiss me , sweet and twenty , Youth's a stuff that will not endure .迁延蹉跎,来日无多,二十丽株,请来吻我,衰草枯杨,青春易过。
The time of life is short ; to spend that shortness basely, it would be too long .人生苦短，若虚度年华，则短暂的人生就太长了。
Don't gild the lily. 不要给百合花镀金/画蛇添足。
The empty vessels make the greatest sound . 满瓶不响，半瓶咣当。
3. Shakespeare’s lines(莎士比亚经典台词)：
1). 脆弱啊，你的名字是女人！
2). To be or not to be，that's a question。（生存还是死亡，那是个问题。）
3). 放弃时间的人，时间也会放弃他。
4). 成功的骗子，不必再以说谎为生，因为被骗的人已经成为他的拥护者，我再说什么也是枉然。
5). 人们可支配自己的命运，若我们受制於人，那错不在命运，而在我们自己。
6). 美满的爱情，使斗士紧绷的心情松弛下来。
7). 太完美的爱情，伤心又伤身，身为江湖儿女，没那个闲工夫。
8). 嫉妒的手足是谎言！
9). 上帝是公平的，掌握命运的人永远站在天平的两端，被命运掌握的人仅仅只明白上帝赐给他命运！
10). 一个骄傲的人，结果总是在骄傲里毁灭了自己。
11). 爱是一种甜蜜的痛苦，真诚的爱情永不是一条平坦的道路的。
12). 因为她生的美丽，所以被男人追求；因为她是女人，所以被男人俘获。
13). 如果女性因为感情而嫉妒起来那是很可怕的。
14). 不要只因一次挫败，就放弃你原来决心想达到的目的。
15). 女人不具备笑傲情场的条件。
16). 我承认天底下再没有比爱情的责罚更痛苦的，也没有比服侍它更快乐的事了。
17). 新的火焰可以把旧的火焰扑灭，大的苦痛可以使小的苦痛减轻。
18). 聪明人变成了痴愚，是一条最容易上钩的游鱼；因为他凭恃才高学广，看不见自己的狂妄。
19). 愚人的蠢事算不得稀奇，聪明人的蠢事才叫人笑痛肚皮；因为他用全副的本领，证明他自己愚笨。
20). 外观往往和事物的本身完全不符，世人都容易为表面的装饰所欺骗。
21). 黑暗无论怎样悠长，白昼总会到来。
22). 勤劳一天，可得一日安眠；勤奋一生，可永远长眠。
23). 女人是被爱的，不是被了解的。
24). 金子啊，,你是多么神奇。你可以使老的变成少的，丑的变成美的，黑的变成白的，错的变成对的……
25). 目眩时更要旋转，自己痛不欲生的悲伤，以别人的悲伤，就能够
治愈！
26). 爱情就像是生长在悬崖上的一朵花，想要摘就必需要有勇气。
27). 全世界是一个巨大的舞台，所有红尘男女均只是演员罢了。上场下场各有其时。每个人一生都扮演着许多角色，从出生到死亡有七种阶段。
28). 在自己还得不到幸福的时候，不要靠橱窗太近，盯着幸福出神
4. Shakespeare Quotes: 100 Famous Bardisms
1. To be or not to be,--that is the question...
2. O Romeo, Romeo! wherefore art thou Romeo?
3. Et tu, Brute?
4. Tomorrow, and tomorrow, and tomorrow...
5. Out, damned spot!...
6. All the world's a stage...
7. Oh, I am fortune's fool!
8. Then must you speak...Of One that lov'd not wisely
9. Not that I lov'd Caesar less
10. Good night, good night! Parting is such sweet sorrow
11. A horse! a horse!
12. What a piece of work is man!
13. Friends, Romans, countrymen...
14. So wise so young, they say do never live long
15. Give me my robe, put on my crown
16. The fault, dear Brutus, is not in our stars
17. I go, and it is done; the bell invites me
18. But, soft! What light through yonder window breaks?
19. We are such stuff... As dreams are made on
20. My words fly up, my thoughts remain below
21. There are more things in heaven and earth, Horatio
22. What's in a name? That which we call a rose
23. The quality of mercy is not strain'd
24. Beware the ides of March
25. Now is the winter of our discontent
26. A plague o' both your houses!
27. I am dying, Egypt, dying
28. Frailty, thy name is woman!
29. Why, then the world's mine oyster
30. If music be the food of love, play on
31. Come, let's away to prison; We two alone will sing
32. Journeys end in lovers meeting
33. The lady doth protest too much, methinks
34. O villain, villain, smiling, damned villain!
35. Yond Cassius has a lean and hungry look
36. Get thee to a nunn'ry
37. All that glisters is not gold
38. To sleep, perchance to dream
39. Nothing can come of nothing
40. The play's the thing
41. This was the noblest Roman of them all
42. Though this be madness, yet there is method in 't
43. I am constant as the northern star
44. How now? A rat? Dead, for a ducat, dead!
45. Was ever woman in this humour woo'd?
46. He hath given his empire
47. By the pricking of my thumbs
48. I hold the world but as the world, Gratiano
49. I follow him to serve my turn upon him
50. Alas, poor Yorick! I knew him, Horatio
51. O happy dagger!
52. Eye of newt, and toe of frog
53. O, beware, my lord of jealousy
54. Something is rotten in the state of Denmark
55. My only love sprung from my only hate!
56. The barge she sat in, like a burnish'd throne
57. Cowards die many times before their deaths
58. Is this a dagger which I see before me
59. I have a kind of alacrity in sinking
60. When beggars die there are no comets seen
61. How poor are they that have not patience!
62. That he's mad, 'tis true, 'tis true 'tis pity
63. Love looks not with the eyes but with the mind
64. The man that hath no music in himself
65. Think you I am no stronger than my sex
66. Be not afraid of greatness
67. What, my dear Lady Disdain! are you yet living?
68. Off with his head!
69. Why, that's my dainty Ariel! I shall miss thee
70. And thus I clothe my naked villany
71. When shall we three meet again
72. This was the unkindest cut of all
73. O coward conscience, how dost thou afflict me!
74. Blow, blow, thou winter wind
75. I come to wive it wealthily in Padua
76. Asses are made to bear, and so are you
77. He's mad that trusts in the tameness of a wolf
78. All the infections that the sun sucks up
79. Let every eye negotiate for itself
80. Some Cupid kills with arrows, some with traps
81. O, what men dare do!
82. Done to death by slanderous tongue
83. Thou art a votary to fond desire
84. I have no other but a woman's reason
85. O, how this spring of love resembleth
86. That man that hath a tongue, I say is no man
87. Is whispering nothing?
88. Here's ado to lock up honesty
89. What's gone and what's past help
90. When you do dance, I wish you
91. Our remedies oft in ourselves do lie
92. I will buy with you, sell with you, talk with you
93. I am a Jew. Hath not a Jew eyes?
94. O true apothecary!
95. This thing of darkness
96. The course of true love never did run smooth
97. We should be woo'd and were not made to woo
98. Lord, what fools these mortals be!
99. Now go we in content
100. We that are true lovers run into
101. Oft expectation fails, and most oft there 102. Why then tonight let us assay our plot